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Includes stories by Sean O'Toole, Storm Janse van Rensburg and others from the Stories & Conversations platform, which took place during the exhibition at Haus der Kulturen der Welt in Berlin in July 2012.Critics, artists, writers, thinkers and academics were invited to bring and share a story, and then to relate it to an image, with the intention of exploring parallel experiences, memories and relationships to places.Includes the essays: "Andries Botha, (dis)Appearance(s)" by Valerie Leigh "Lest We Forget" by Professor Pitika Ntuli "History, Art, Remembering and Memorials (Harm)" by Dr Johan Wassermann "An Art of Imagining" by Professor Mike Chapman Catalogue of the travelling exhibition that opened at the University of Stellenbosch Woordefees in March 2011. Catalogue of the exhibition, Cape Town, 30 August-2 September 2002.Includes the essays: "'Stains Upon Silence'" by Michael Godby "Feet Also Feature" by Sally-Ann Murray "The Picture Stares Back" by Gerhard Schoeman. A complex art installation bringing together issues of public sculpture, urban planning, city politics & performance art. Catalogue of the exhibition on the Werdmuller Centre, an iconic "failed" piece of architecture built in the 1960s in Claremont, Cape Town, Michael Stevenson, Cape Town, 2010. Angela Ferreira was born in 1958 in Maputo, Mozambique, and now lives and works in Lisbon.Catalogue of the exhibition of sculptures, installations and sketches, Sasol Art Gallery, Stellenbosch, 2010.

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He was born in 1966 in Johannesburg, where he currently lives and works.Includes the essays, "Asha Zero Macro Soda Text Hits" by Antoinette du Plessis, "Fragments of Memory: Asha Zero and the Waking Dream" by Gus Silber, and "Sublime Confusion" by Delphi Carstens. Includes the essays: "Virtual Landscapes" and "Asha Zero and the Acts of Cancellation" by Sanford Shaman "Introduction to Micro Cluster Picnic" by Shane de Lange "Asha Zero Macro Soda Text Hits" and "Better Left Unsaid" by Antoinette du Plessis "Fragments of Memory: Asha Zero and the walking dream" by Gus Silber. Ayana Jackson "draws on images sourced from the Duggan Cronin collection created in South Africa, the works of unknown photographers practicing throughout the global south at the time, as well as documentation of reconstructed villages and 'native' performers that were touring in Europe's Human Zoos... Capecodes is a project focused on skills training in live modern audio drama. Contributions include: "Abasebenzi (workers)", based on a play written by Black Ink of Dunoon, with illustrations by Khanyiso Mabodla and Loyiso Pitolo assisted by Thabo Xinindlu "Umkhonto ugwaze ekhaya (Bad deeds come back to bite you)", based on a play written by Survivors of the Performing Arts, with illustrations by Anele Ncokazi and Sgqibo Mdleleni assisted by Khayalethu Ndolela. Catalogue of the exhibition of paper based works, collage, paper sculptures and altered books, Erdmann Contemporary, Cape Town, 2012.The artist's process involves identifying recurring motifs in the original images, interrogating them, performing them and reconstructing them." from pg. Jackson was born in 1977 in Livingston, New Jersey. Includes "Notes from the Coalface", Barbara Wildenboer interviewed by Carsten Rasch.The thirty-two artists who participated were tasked with creating, in a single day, an 8-page comic based on the work of Petrus Nooi, a sculptor who works in concrete and sells his pieces from his yard next to the road that connects Stellenbosch with the informal settlement of Khayelitsha.

Catalogue of the exhibition, Haus der Kulturen der Welt, Berlin, Germany, and Johannesburg Art Gallery, South Africa, 2012.

Catalogue of the exhibition, Stevenson gallery, Johannesburg, 2016.



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